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      Damien Jurado in Omaha

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      August 19, 2019

      Monday   8:00 PM

      729 North Fourteenth Street
      Omaha, Nebraska 68102

      Damien Jurado

      with Corrina Repp
      Spend any amount of time with Damien Jurado and hes going to talk with you about movies. Speaking about the films that influenced his 14th album, the solitary masterwork In the Shape of a Storm, Jurado tosses out a list of favoritesAmerican Graffiti, Paris, Texas, The Last Picture Showfilms in which settings serve as silent, omniscient characters. But inquire about the curious way he writes songs, the hazy manner by which he seems to channel them from beyond the beyond, and the cinematic reference point he reaches for is a surprising one. You ever see that movie Ghost? Whoopi Goldbergs character, Oda Mae Brownthats who I am. These spirits are showing up at her door, jumping into her body. Thats how I feel. I dont know whats coming out of meI just show up and deliver it.For more than two decades, Jurado has sung folk songs brimming with prophetic imagination. Whether singing ballads about killers, wounded lovers, UFO cults, or yes, the phantoms of departed friends, hes populated his work with eerie foretelling, the sense that hes divining something just on the verge of happening. He wrote his last record, 2018s The Horizon Just Laughed as a goodbye letter to his home of Seattle, Washington, before hed even decided to leave there for sunny Los Angeles. And while he recorded the ten songs featured on In the Shape of a Storm months before the passing of his longtime collaborator and close friend Richard Swift, its no coincidence that Swifts death looms over the album. His absence is very much felt on this record, Jurado says.Damien has always worked fast, but In the Shape of a Storm came together with unprecedented speed. Recorded over the course of two hours one California afternoon, its Jurados sparsest album to date. Gone are the thundering drums and psychedelic arrangements that defined the trilogy of concept albums he made with Swift. Gone even is the atmospheric air that hovered above his early albums for Sub Pop. Here, theres only Jurados voice, acoustic guitar, and occasional accompaniment from Josh Gordon, playing a high-strung guitar tuned Nashville style, rendering its sound spooky and celestial. Though fans have long requested a solo acoustic album, the prospect never made sense to Jurado, until one day it simply did. It just felt like it was time, Jurado says. The idea of an unadorned album became its own medium in his mind, like a painter who sets down his brushes and instead opts for charcoal pencils instead.

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